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| Forward to next poem Back to last poem Back to Emily Hinshelwood page | Bills and Moon
When the book you’ve bought is battered but it didn’t cost a lot, and the hooks have all been shattered ‘cos the blurb tells all the plot, and you look for idle chatter ‘cos your brain’s tied in a knot, you’re a shattered, battered, chatterbox whose brain has lost the plot. When it’s better than a natter on a Sunday afternoon, and the bit of blurb is splattered with a saucy sexy swoon and you think it doesn’t matter that the author’s a baboon you’re a shattered, knackered slacker with the latest Mills and Boon. When the girl is very pretty but is shy and all alone there’s an earl who’s dark and gritty, or a guy who’s made of stone, and the pearl that’s in his kitty is a huge testosterone it’s a bit of nitty gritty with a moral undertone. When the heroine is crying ‘cos she’s made a big mistake and she’s very close to dying from the venom of a snake but the hairy man comes flying with his juicy pound of steak it’s a wary scary subtext where your dignity’s at stake. When your reading is exceeding all the other things you do and you’re pleading with your library to import a ton or two and you’re reading while you’re breeding and proceeding to be needing the stampeding of a hero who can cock-a-doodle-do…. then… you’re a pretty, gritty kitty with a stamina of iron eating buttered, battered booklets with the hunger of a lion you’ll impress the best assessor from the moon to Cameroon by your cluttered, clattered chuttered, chattered, knickered, knackered shickered shackered, brickered, brackered tittered, tattered notes on Mills and Boon.
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